This is the first part of a series of spoken performances.
When I first started writing, I always wrote in my car. My car remains my main workplace. It helps to give me a sense of what writing is and does. In a car, you are in the world, but still separated from it slightly. The glass of the windows, the metal of the body, provides enough of a barrier for me to observe, but still recognize the connection between myself and the other.
This series is meant to convey that sense of separate-connectedness aurally and visually. It is something of a testament to my own process of writing as well as a statement on writing in general.
There are twenty-one parts to this series. Together, they form a sort of visual chapbook. Each poem is complete in itself, but together they hopefully form a narrative not by the content of the writing/speaking, but through the form in which the individual pieces were created.
‘Neath skies that sing
Hallowed songs of God,
The Divine, rapturous on wings,
Spread out from dawn
To sunset and on through long nights,
I, too, sing of the Divine, God,
Albeit with limited sight.
What songs have I, not already sung
Throughout the ages, voiced by sages
And strummed on instruments strung
With the purest of wire? What fire
Should I speak, not already spoken
In praise of the Maker
Or of salvation for the broken
In spirit, the poor of heart,
Those whose eyes have never dwelt
upon
The housing of the Divine Art?
What art have I, in limited sense
To dwell upon Glory,
To seek the Divine?
What story shall I tell
In the time that is mine
With a heart, unperfected,
A seat of dubiousness?